Author Julia Bryan Wilson and Cathleen Chaffee and Glenn Adamson and Elizabeth Sherman, Contributions by Carrie Mae Weems
The most comprehensive book on the work of Liza Lou, whose popular and critically acclaimed installations made entirely of beads consider the important themes of women, community, and the valorization of labor.
Liza Lou first gained attention in 1996 when her room-sized sculpture Kitchen was shown at the New Museum in New York. Representing five years of individual labor, this groundbreaking work subverted standards of art by introducing glass beads as a fine art material. The project blurred the rigid boundary between fine art and craft, and established Lou’s long-standing exploration of materiality, process, and beauty. Working within a craft métier has led the artist to work in a variety of socially engaged settings, from community groups in Los Angeles, to a collective she founded in Durban, South Africa in 2005, to a women’s prison in Belm, Brazil, and a bead embroidery collective in Mumbai, India. Over the past 15 years, Lou has focused on a poetic approach to abstraction as a way to highlight the process under-lying her work.
In this comprehensive volume that considers the entirety of her singular vision, curators, art historians, and artists offer important perspectives on the breadth of her work.
About The Author
Glenn Adamson is a curator and writer who works at the intersection of craft, design history, and contemporary art. Julia Bryan-Wilson is professor of modern and contemporary art at the University of California, Berkeley. Dr. Cathleen Chaffee is chief curator of the Albright-Knox Art Gallery, Buffalo. Elisabeth Sherman is assistant curator at the Whitney Museum of American Art, New York. Carrie Mae Weems is an artist.